Mrs. White
AND HER REALLY DUMB IDEA.
Finding Vivian Maier
http://www.vivianmaier.comwww.vivianmaier.com
#GOALZZZZ
What makes these photos GREAT?
MIESH PHOTOGRAPHY
WHAT DO THESE PHOTOS HAVE IN COMMON?
RODNEY SMITH
THE MORE YOU GIVE TO ART, THE MORE IT GIVES TO YOU.
UTA BARTH
JEFF WALL
"I begin by not photographing."
Jeff Wall’s work synthesizes the essentials of photography with elements from other art forms—including painting, cinema, and literature—in a complex mode that he calls “cinematography.” His pictures range from classical reportage to elaborate constructions and montages, usually produced at the larger scale traditionally identified with painting.
READ MORE HERE
READ MORE HERE
BRANDON WOELFEL
FAN HO
Fan Ho was a celebrated Chinese photographer, film director, and actor. From 1956, he won over 280 awards from international exhibitions and competitions worldwide for his photography.
www.scmp.com/magazines/post-magazine/long-reads/article/2098441/how-fan-ho-hong-kongs-poet-camera-found-his
www.scmp.com/magazines/post-magazine/long-reads/article/2098441/how-fan-ho-hong-kongs-poet-camera-found-his
MAGGIE TAYLOR
JASON PETERSON
CHARLES WILKIN
KRISTEN MEYER
HEATHER NAN
ANSEL ADAMS
(February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West.
Adams helped found the anti-pictorialist Group f/64, an association of photographers advocating "pure" photography that favored sharp focus and the use of the full tonal range of a photograph. With Fred Archer, Adams developed an exacting system of image-making called the Zone System, which described a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed in exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra Club. He was later contracted with the U.S. Department of the Interior to make photographs of U.S. National Parks; his work and his persistent advocacy helped expand the National Park system. |